Serge Gainsbourg considered popular music as a minor art compared to painting and sculpture. While record covers are true products of the pop culture, they sometimes borrowed to the fine arts. Numerous examples of sleeves are obvious imitations or reproductions of famous works of art, denoting either a genuine devotion or a deliberate attempt to gain artistic credit (or both). In return, some contemporary figures in the visual arts fairly understood the benefit in contributing, directly or not, to popular music, and thus reaching a much larger audience. How many rock fans discovered Andy Warhol with the famous Velvet Underground banana ? This website is about record covers and arts.
Music Artwork has been featured in an article entitled "50 Resources for Students Attending Online Liberal Arts Schools".
http://www.onlineschools.org/online-liberal-arts-schools/
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Joan Miró Mujer, Pájaro, Estrella (Homenaje a Picasso) (1973) |
Raimon Quan l'Aigua Es Queixa (1979) |
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Joan Miró People at Night (1940) |
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The Quintet (Bud Powell, Charles Mingus, Charlie Parker, Dizzy Gillespie, Max Roach) Jazz at Massey Hall Volume One (1953) |
The Quintet (Bud Powell, Charles Mingus, Charlie Parker, Dizzy Gillespie, Max Roach) Jazz at Massey Hall Volume Three (1953) |
The Quintet (Bud Powell, Charles Mingus, Charlie Parker, Dizzy Gillespie, Max Roach) Jazz at Massey Hall - The 10-Inch LP Collection (1953/2015) |
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Joan Miró
Sculptures III (1974) |
UB40
Labour of Love II (1989) |
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Joan Miró Bleu I (1962) |
The Durutti Column The Return of the Sporadic Recordings (2002) |
